{"title":"Zodiac Listening Profile - Libra","description":"","products":[{"product_id":"tx-jelly","title":"The Texas Gentlemen - TX Jelly [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Lone Star-bred collective, The Texas Gentlemen, takes its cues from some of the iconic acts of the past — the quicksilver brilliance of The Wrecking Crew and Bob Dylan’s one-time backers The Band are the most obvious examples. Founding member, Beau Bedford, who shares chief engineering and production responsibilities at Dallas’ Modern Electric Sound Recorders, assembled The Texas Gentlemen as an all-purpose backing band for an eclectic array of singer-songwriters, including Leon Bridges, Nikki Lane, Jonathan Tyler and Paul Cauthen.\u003c\/p\u003e\n\u003cp\u003eThat deft fusion of what came before with what is right now develops through the members’ unswerving dedication to simply play to the best of their abilities, trusting their instincts, and letting the music guide them. Case in point: \u003cem\u003eTX Jelly\u003c\/em\u003e was created in less than a week — four days, start to finish — at Muscle Shoals’ singular FAME Studios.\u003c\/p\u003e\n\u003cp\u003ePared down from the 28 songs the Gentlemen recorded in that 96-hour span, \u003cem\u003eTX Jelly\u003c\/em\u003e effortlessly connects way back to what’s next, summoning the spirits of American songcraft even as it heralds the arrival of 21st century talent. Cut live, with little use for the blinding polish and careful presentation of so much modern music, \u003cem\u003eTX Jelly\u003c\/em\u003e oozes with skill backed up by that hard-won authenticity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTX Jelly\u003c\/em\u003e moves between contemplative and raucous, encompassing the full breadth of the American experience. The music touches on blues, soul, folk, country, rock and gospel — from first track to last, you can feel The Texas Gentlemen reaching deep inside themselves and finding what’s genuine — what illuminates the truth of the country’s rich, complicated and singular artistic history — and delivering it the only way they know how: real, raw and righteous.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1092972941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/thetexasgentlemen.bandcamp.com\/album\/tx-jelly\"\u003eTX Jelly by The Texas Gentlemen\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHabbie Doobie\u003c\/li\u003e\n\u003cli\u003ePain\u003c\/li\u003e\n\u003cli\u003eBondurant Women\u003c\/li\u003e\n\u003cli\u003eDream Along\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eMy Way\u003c\/li\u003e\n\u003cli\u003eSuperstition\u003c\/li\u003e\n\u003cli\u003eTX Jelly\u003c\/li\u003e\n\u003cli\u003ePretty Flowers\u003c\/li\u003e\n\u003cli\u003eShakin’ All Over\u003c\/li\u003e\n\u003cli\u003eTrading Paint\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40099020370,"sku":"NW6407 CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/TXG-CD-white.jpg?v=1552338334"},{"product_id":"tx-jelly-vinyl","title":"The Texas Gentlemen - TX Jelly [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g orange marmalade vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP \u003c\/li\u003e\n\u003cli\u003eIncludes digital download code\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Lone Star-bred collective, The Texas Gentlemen, takes its cues from some of the iconic acts of the past — the quicksilver brilliance of The Wrecking Crew and Bob Dylan’s one-time backers The Band are the most obvious examples. Founding member, Beau Bedford, who shares chief engineering and production responsibilities at Dallas’ Modern Electric Sound Recorders, assembled The Texas Gentlemen as an all-purpose backing band for an eclectic array of singer-songwriters, including Leon Bridges, Nikki Lane, Jonathan Tyler and Paul Cauthen.\u003c\/p\u003e\n\u003cp\u003eThat deft fusion of what came before with what is right now develops through the members’ unswerving dedication to simply play to the best of their abilities, trusting their instincts, and letting the music guide them. Case in point: \u003cem\u003eTX Jelly\u003c\/em\u003e was created in less than a week — four days, start to finish — at Muscle Shoals’ singular FAME Studios.\u003c\/p\u003e\n\u003cp\u003ePared down from the 28 songs the Gentlemen recorded in that 96-hour span, \u003cem\u003eTX Jelly\u003c\/em\u003e effortlessly connects way back to what’s next, summoning the spirits of American songcraft even as it heralds the arrival of 21st century talent. Cut live, with little use for the blinding polish and careful presentation of so much modern music, \u003cem\u003eTX Jelly\u003c\/em\u003e oozes with skill backed up by that hard-won authenticity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTX Jelly\u003c\/em\u003e moves between contemplative and raucous, encompassing the full breadth of the American experience. The music touches on blues, soul, folk, country, rock and gospel — from first track to last, you can feel The Texas Gentlemen reaching deep inside themselves and finding what’s genuine — what illuminates the truth of the country’s rich, complicated and singular artistic history — and delivering it the only way they know how: real, raw and righteous.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1092972941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/thetexasgentlemen.bandcamp.com\/album\/tx-jelly\"\u003eTX Jelly by The Texas Gentlemen\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHabbie Doobie\u003c\/li\u003e\n\u003cli\u003ePain\u003c\/li\u003e\n\u003cli\u003eBondurant Women\u003c\/li\u003e\n\u003cli\u003eDream Along\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eMy Way\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSuperstition\u003c\/li\u003e\n\u003cli\u003eTX Jelly\u003c\/li\u003e\n\u003cli\u003ePretty Flowers\u003c\/li\u003e\n\u003cli\u003eShakin’ All Over\u003c\/li\u003e\n\u003cli\u003eTrading Paint\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40099517842,"sku":"NW5213 LP","price":17.02,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/TXG-vinyl-white.jpg?v=1532491709"},{"product_id":"tx-jelly-cassette","title":"The Texas Gentlemen - TX Jelly [Cassette]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eJewel Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Lone Star-bred collective, The Texas Gentlemen, takes its cues from some of the iconic acts of the past — the quicksilver brilliance of The Wrecking Crew and Bob Dylan’s one-time backers The Band are the most obvious examples. Founding member, Beau Bedford, who shares chief engineering and production responsibilities at Dallas’ Modern Electric Sound Recorders, assembled The Texas Gentlemen as an all-purpose backing band for an eclectic array of singer-songwriters, including Leon Bridges, Nikki Lane, Jonathan Tyler and Paul Cauthen.\u003c\/p\u003e\n\u003cp\u003eThat deft fusion of what came before with what is right now develops through the members’ unswerving dedication to simply play to the best of their abilities, trusting their instincts, and letting the music guide them. Case in point: \u003cem\u003eTX Jelly\u003c\/em\u003e was created in less than a week — four days, start to finish — at Muscle Shoals’ singular FAME Studios.\u003c\/p\u003e\n\u003cp\u003ePared down from the 28 songs the Gentlemen recorded in that 96-hour span, \u003cem\u003eTX Jelly\u003c\/em\u003e effortlessly connects way back to what’s next, summoning the spirits of American songcraft even as it heralds the arrival of 21st century talent. Cut live, with little use for the blinding polish and careful presentation of so much modern music, \u003cem\u003eTX Jelly\u003c\/em\u003e oozes with skill backed up by that hard-won authenticity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTX Jelly\u003c\/em\u003e moves between contemplative and raucous, encompassing the full breadth of the American experience. The music touches on blues, soul, folk, country, rock and gospel — from first track to last, you can feel The Texas Gentlemen reaching deep inside themselves and finding what’s genuine — what illuminates the truth of the country’s rich, complicated and singular artistic history — and delivering it the only way they know how: real, raw and righteous.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A -\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHabbie Doobie\u003c\/li\u003e\n\u003cli\u003ePain\u003c\/li\u003e\n\u003cli\u003eBondurant Women\u003c\/li\u003e\n\u003cli\u003eDream Along\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eMy Way\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSuperstition\u003c\/li\u003e\n\u003cli\u003eTX Jelly\u003c\/li\u003e\n\u003cli\u003ePretty Flowers\u003c\/li\u003e\n\u003cli\u003eShakin' All Over\u003c\/li\u003e\n\u003cli\u003eTrading Paint\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003col\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003cdiv\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40101250386,"sku":"NW9007 CS","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/TXG-Cassette-white.jpg?v=1546883171"},{"product_id":"rodney-crowell-tarpaper-sky-cd","title":"Rodney Crowell - Tarpaper Sky [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEsteemed musician, songwriter and author Rodney Crowell has teamed up with New West Records to release \u003cem\u003eTarpaper Sky\u003c\/em\u003e, his new self-produced album. It comes fast on the heels of Old Yellow Moon, Crowell’s critically lauded collaboration with Emmylou Harris, which won a 2013 Grammy® Award and was named 2013 Album of the Year by the Americana Music Association. Crowell has pushed the boundaries of country, folk and roots music since long before the term Americana was coined as a genre, making a name for himself and gaining respect as both a songwriter and as an artist. Celebrating 40 years of making music, Crowell has created an album that harkens back to some of his most revered and loved works.\u003cem\u003e Tarpaper Sky\u003c\/em\u003e would sit comfortably on the shelf right between the chart-topping fan favorite \u003cem\u003eDiamonds and Dirt\u003c\/em\u003e (1988) and \u003cem\u003eLife Is Messy\u003c\/em\u003e (1992). This album marks a reunion of the creative partnership of Crowell and musical accomplice Steuart Smith, who was an integral part of his overall sound during the late ‘80s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Long Journey Home\u003c\/li\u003e\n\u003cli\u003eFever On The Bayou\u003c\/li\u003e\n\u003cli\u003eFrankie Please\u003c\/li\u003e\n\u003cli\u003eGod I’m Missing You\u003c\/li\u003e\n\u003cli\u003eFamous Last Words Of A Fool In Love\u003c\/li\u003e\n\u003cli\u003eSomebody’s Shadow\u003c\/li\u003e\n\u003cli\u003eGrandma Loved That Old Man\u003c\/li\u003e\n\u003cli\u003eJesus Talk To Mama\u003c\/li\u003e\n\u003cli\u003eI Wouldn’t Be Me Without You\u003c\/li\u003e\n\u003cli\u003eThe Flyboy \u0026amp; The Kid\u003c\/li\u003e\n\u003cli\u003eOh What A Beautiful World\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":1056232964119,"sku":"NW6304 CD","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-TarpaperSky-CD.jpg?v=1532491732"},{"product_id":"rodney-crowell-tarpaper-sky-vinyl","title":"Rodney Crowell - Tarpaper Sky [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e180g black vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP\u003c\/li\u003e\n\u003cli\u003eIncludes digital download code\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEsteemed musician, songwriter and author Rodney Crowell has teamed up with New West Records to release \u003cem\u003eTarpaper Sky\u003c\/em\u003e, his new self-produced album. It comes fast on the heels of \u003cem\u003eOld Yellow Moon\u003c\/em\u003e, Crowell’s critically lauded collaboration with Emmylou Harris, which won a 2013 Grammy® Award and was named 2013 Album of the Year by the Americana Music Association. Crowell has pushed the boundaries of country, folk and roots music since long before the term Americana was coined as a genre, making a name for himself and gaining respect as both a songwriter and as an artist. Celebrating 40 years of making music, Crowell has created an album that harkens back to some of his most revered and loved works. \u003cem\u003eTarpaper Sky\u003c\/em\u003e would sit comfortably on the shelf right between the chart-topping fan favorites \u003cem\u003eDiamonds and Dirt\u003c\/em\u003e (1988) and \u003cem\u003eLife Is Messy\u003c\/em\u003e (1992). This album marks a reunion of the creative partnership of Crowell and musical accomplice Steuart Smith, who was an integral part of his overall sound during the late ‘80s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A -\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Long Journey Home\u003c\/li\u003e\n\u003cli\u003eFever On The Bayou\u003c\/li\u003e\n\u003cli\u003eFrankie Please\u003c\/li\u003e\n\u003cli\u003eGod I’m Missing You\u003c\/li\u003e\n\u003cli\u003eFamous Last Words Of A Fool In Love\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B -\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSomebody’s Shadow\u003c\/li\u003e\n\u003cli\u003eGrandma Loved That Old Man\u003c\/li\u003e\n\u003cli\u003eJesus Talk To Mama\u003c\/li\u003e\n\u003cli\u003eI Wouldn’t Be Me Without You\u003c\/li\u003e\n\u003cli\u003eThe Flyboy \u0026amp; The Kid\u003c\/li\u003e\n\u003cli\u003eOh What A Beautiful World\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":1056243318807,"sku":"NW5089 LP","price":17.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-TarpaperSky-Vinyl.jpg?v=1542949938"},{"product_id":"rodney-crowell-close-ties-cd","title":"Rodney Crowell - Close Ties [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRodney Crowell’s new album, \u003cem\u003eClose Ties\u003c\/em\u003e, demonstrates his strengths as a songwriter and illustrates how he has learned to balance personal recollection, literary sophistication, and his profound musical reach. \u003cem\u003eClose Ties\u003c\/em\u003e is at once his most intimate record and his most accessible, the product of years of understanding the ways songs can enter – and be entered by – life. “It’s a loose concept album, you could say,” Crowell says. “And the concept is related to how you tell stories about yourself. Having a few years ago written a memoir, my sensibilities toward narrative – especially trying to find a common thread in different pieces of writing – had become a part of my songwriting process.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClose Ties\u003c\/em\u003e is a roots record, in the sense that Crowell himself has deep roots that stretch back into the alternative country scene of the early seventies. The rise of Americana music has struck a nerve with Crowell. “I have declared my loyalty to Americana. It’s a hard category for people to get their heads around, or at least the terminology is. But all the people who represent it – Townes van Zandt, Guy Clark, Lucinda Williams, Steve Earle and more recent stars like John Paul White and Jason Isbell – share a common thread, and that thread is poetry. Whether they are actual poets or their music exemplifies a poetic sensibility, generally speaking, the Americana artist shuns commercial compromise in favor of a singular vision. Which resonates with me.” There is also a powerful undercurrent of the blues running through the record. “Recently, I think – I hope – that my study of the blues is starting to show up in my music. Those artists, whether it’s Lightnin’ Hopkins or John Lee Hooker or the acoustic Delta players, connected to something fundamental. With that in mind, I’m trying to move forward but also get back there.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast Houston Blues\u003c\/li\u003e\n\u003cli\u003eReckless\u003c\/li\u003e\n\u003cli\u003eLife Without Susanna\u003c\/li\u003e\n\u003cli\u003eIt Ain’t Over Yet (feat. Rosanne Cash \u0026amp; John Paul White)\u003c\/li\u003e\n\u003cli\u003eI Don’t Care Anymore\u003c\/li\u003e\n\u003cli\u003eI’m Tied To Ya’ (feat. Sheryl Crow)\u003c\/li\u003e\n\u003cli\u003eForgive Me Annabelle\u003c\/li\u003e\n\u003cli\u003eForty Miles From Nowhere\u003c\/li\u003e\n\u003cli\u003eStorm Warning\u003c\/li\u003e\n\u003cli\u003eNashville 1972\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":1056666451991,"sku":"NW6354 CD","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-CloseTies-CD.jpg?v=1542949754"},{"product_id":"rodney-crowell-close-ties-vinyl","title":"Rodney Crowell - Close Ties [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g black vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP\u003c\/li\u003e\n\u003cli\u003eIncludes digital download code\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRodney Crowell’s new album, \u003cem\u003eClose Ties\u003c\/em\u003e, demonstrates his strengths as a songwriter and illustrates how he has learned to balance personal recollection, literary sophistication, and his profound musical reach. \u003cem\u003eClose Ties\u003c\/em\u003e is at once his most intimate record and his most accessible, the product of years of understanding the ways songs can enter – and be entered by – life. “It’s a loose concept album, you could say,” Crowell says. “And the concept is related to how you tell stories about yourself. Having a few years ago written a memoir, my sensibilities toward narrative – especially trying to find a common thread in different pieces of writing – had become a part of my songwriting process.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClose Ties\u003c\/em\u003e is a roots record, in the sense that Crowell himself has deep roots that stretch back into the alternative country scene of the early seventies. The rise of Americana music has struck a nerve with Crowell. “I have declared my loyalty to Americana. It’s a hard category for people to get their heads around, or at least the terminology is. But all the people who represent it – Townes van Zandt, Guy Clark, Lucinda Williams, Steve Earle and more recent stars like John Paul White and Jason Isbell – share a common thread, and that thread is poetry. Whether they are actual poets or their music exemplifies a poetic sensibility, generally speaking, the Americana artist shuns commercial compromise in favor of a singular vision. Which resonates with me.” There is also a powerful undercurrent of the blues running through the record. “Recently, I think – I hope – that my study of the blues is starting to show up in my music. Those artists, whether it’s Lightnin’ Hopkins or John Lee Hooker or the acoustic Delta players, connected to something fundamental. With that in mind, I’m trying to move forward but also get back there.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A -\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast Houston Blues\u003c\/li\u003e\n\u003cli\u003eReckless\u003c\/li\u003e\n\u003cli\u003eLife Without Susanna\u003c\/li\u003e\n\u003cli\u003eIt Ain’t Over Yet (feat. Rosanne Cash \u0026amp; John Paul White)\u003c\/li\u003e\n\u003cli\u003eI Don’t Care Anymore\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B -\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eI’m Tied To Ya’ (feat. Sheryl Crow)\u003c\/li\u003e\n\u003cli\u003eForgive Me Annabelle\u003c\/li\u003e\n\u003cli\u003eForty Miles From Nowhere\u003c\/li\u003e\n\u003cli\u003eStorm Warning\u003c\/li\u003e\n\u003cli\u003eNashville 1972\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":1056731627543,"sku":"NW5131 LP","price":17.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-CloseTies-Vinyl.jpg?v=1532491732"},{"product_id":"rodney-crowell-christmas-everywhere-cd","title":"Rodney Crowell - Christmas Everywhere [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eJewel Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMy childhood memories of Christmas aren’t warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn’t give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year’s bounty. Which \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eis\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eto say that Christmas in our household was mostly a wait-and-see proposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA few years back\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e it became evident to my family, and indeed myself, that I’d gone sour on all things related to Christmas. Sometime around Christmas 2016 I came home to find my granddaughters, sitting side by side and playing on the our old upright piano a melody that to my ear sounded like something from the early nineteenth century. I asked them what song they were playing and in unison they replied, “something we just made up.” I hit record on my iPhone and asked them to play it again. Using their melody almost entirely, I spent a couple of months composing the words to “Come Christmas.” A generation had passed since I first made up a Christmas song with their mother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSometime later, in rapid succession, I came up with “Christmas in New York,” “When the Fat Guy Tries the Chimney On For Size,” “Christmas For the Blues” and, again with Mary Karr, “Let’s Skip Christmas This Year.”  With those tunes in the bag, I began entertaining the rather vague idea of writing something that Spike Jones might have recorded in his heyday. The lyrical ideas for “Christmas Everywhere,” came fast, as did the realization that if I were ever going to realize the song’s compositional possibilities, I would need help from the premier Gypsy Jazz guitarist and composer, John Jorgenson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album \u003c\/span\u003e\u003cb\u003e\u003ci\u003eChristmas Everywhere\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eranks as some of the most enjoyable recording sessions I’ve ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, \"The Night Before Christmas,\" I came up with a short piece called “Clement’s Lament (We’ll See You in The Mall)”. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning’s orchestral backing and the album was pronounced complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons Cheer,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRodney Crowell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3742194416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rodneycrowell.bandcamp.com\/album\/christmas-everywhere\"\u003eChristmas Everywhere by Rodney Crowell\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClement’s Lament (We’ll See You In The Mall)\u003c\/li\u003e\n\u003cli\u003eChristmas Everywhere (feat. Lera Lynn)\u003c\/li\u003e\n\u003cli\u003eWhen The Fat Guy Tries The Chimney On For Size\u003c\/li\u003e\n\u003cli\u003eChristmas Makes Me Sad\u003c\/li\u003e\n\u003cli\u003eMerry Christmas From An Empty Bed (feat. Brennen Leigh)\u003c\/li\u003e\n\u003cli\u003eVery Merry Christmas\u003c\/li\u003e\n\u003cli\u003eChristmas in Vidor (feat. Mary Karr)\u003c\/li\u003e\n\u003cli\u003eChristmas for the Blues\u003c\/li\u003e\n\u003cli\u003eCome Christmas\u003c\/li\u003e\n\u003cli\u003eLet's Skip Christmas This Year\u003c\/li\u003e\n\u003cli\u003eChristmas In New York\u003c\/li\u003e\n\u003cli\u003eAll For Little Girls \u0026amp; Boys (feat. Daddy Cool \u0026amp; The Yule)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":12637658349591,"sku":"NW6436 CD","price":10.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/unspecified-4_80d007e9-53e0-47d3-97c6-c8da10364f58.jpg?v=1543208928"},{"product_id":"rodney-crowell-christmas-everywhere-vinyl","title":"Rodney Crowell - Christmas Everywhere [Coal Color Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g marbled coal-colored vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMy childhood memories of Christmas aren’t warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn’t give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year’s bounty. Which \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eis\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eto say that Christmas in our household was mostly a wait-and-see proposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA few years back\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e it became evident to my family, and indeed myself, that I’d gone sour on all things related to Christmas. Sometime around Christmas 2016 I came home to find my granddaughters, sitting side by side and playing on the our old upright piano a melody that to my ear sounded like something from the early nineteenth century. I asked them what song they were playing and in unison they replied, “something we just made up.” I hit record on my iPhone and asked them to play it again. Using their melody almost entirely, I spent a couple of months composing the words to “Come Christmas.” A generation had passed since I first made up a Christmas song with their mother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSometime later, in rapid succession, I came up with “Christmas in New York,” “When the Fat Guy Tries the Chimney On For Size,” “Christmas For the Blues” and, again with Mary Karr, “Let’s Skip Christmas This Year.”  With those tunes in the bag, I began entertaining the rather vague idea of writing something that Spike Jones might have recorded in his heyday. The lyrical ideas for “Christmas Everywhere,” came fast, as did the realization that if I were ever going to realize the song’s compositional possibilities, I would need help from the premier Gypsy Jazz guitarist and composer, John Jorgenson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album \u003c\/span\u003e\u003cb\u003e\u003ci\u003eChristmas Everywhere\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eranks as some of the most enjoyable recording sessions I’ve ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, \"The Night Before Christmas,\" I came up with a short piece called “Clement’s Lament (We’ll See You in The Mall)”. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning’s orchestral backing and the album was pronounced complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons Cheer,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRodney Crowell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3742194416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/rodneycrowell.bandcamp.com\/album\/christmas-everywhere\"\u003eChristmas Everywhere by Rodney Crowell\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClement’s Lament (We’ll See You In The Mall)\u003c\/li\u003e\n\u003cli\u003eChristmas Everywhere (feat. Lera Lynn)\u003c\/li\u003e\n\u003cli\u003eWhen The Fat Guy Tries The Chimney On For Size\u003c\/li\u003e\n\u003cli\u003eChristmas Makes Me Sad\u003c\/li\u003e\n\u003cli\u003eMerry Christmas From An Empty Bed (feat. Brennen Leigh)\u003c\/li\u003e\n\u003cli\u003eVery Merry Christmas\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eChristmas in Vidor (feat. Mary Karr)\u003c\/li\u003e\n\u003cli\u003eChristmas for the Blues\u003c\/li\u003e\n\u003cli\u003eCome Christmas\u003c\/li\u003e\n\u003cli\u003eLet's Skip Christmas This Year\u003c\/li\u003e\n\u003cli\u003eChristmas In New York\u003c\/li\u003e\n\u003cli\u003eAll For Little Girls \u0026amp; Boys (feat. Daddy Cool \u0026amp; The Yule)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":12638744772631,"sku":"NW5271 LP","price":17.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/unspecified-10.jpg?v=1543208958"},{"product_id":"the-texas-gentlemen-tx-jelly-signed-test-pressing","title":"The Texas Gentlemen - TX Jelly [SIGNED Test Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g black vinyl test pressing\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP\u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Lone Star-bred collective, The Texas Gentlemen, takes its cues from some of the iconic acts of the past — the quicksilver brilliance of The Wrecking Crew and Bob Dylan’s one-time backers The Band are the most obvious examples. Founding member, Beau Bedford, who shares chief engineering and production responsibilities at Dallas’ Modern Electric Sound Recorders, assembled The Texas Gentlemen as an all-purpose backing band for an eclectic array of singer-songwriters, including Leon Bridges, Nikki Lane, Jonathan Tyler and Paul Cauthen.\u003c\/p\u003e\n\u003cp\u003eThat deft fusion of what came before with what is right now develops through the members’ unswerving dedication to simply play to the best of their abilities, trusting their instincts, and letting the music guide them. Case in point: \u003cem\u003eTX Jelly\u003c\/em\u003e was created in less than a week — four days, start to finish — at Muscle Shoals’ singular FAME Studios.\u003c\/p\u003e\n\u003cp\u003ePared down from the 28 songs the Gentlemen recorded in that 96-hour span, \u003cem\u003eTX Jelly\u003c\/em\u003e effortlessly connects way back to what’s next, summoning the spirits of American songcraft even as it heralds the arrival of 21st century talent. Cut live, with little use for the blinding polish and careful presentation of so much modern music, \u003cem\u003eTX Jelly\u003c\/em\u003e oozes with skill backed up by that hard-won authenticity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTX Jelly\u003c\/em\u003e moves between contemplative and raucous, encompassing the full breadth of the American experience. The music touches on blues, soul, folk, country, rock and gospel — from first track to last, you can feel The Texas Gentlemen reaching deep inside themselves and finding what’s genuine — what illuminates the truth of the country’s rich, complicated and singular artistic history — and delivering it the only way they know how: real, raw and righteous.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHabbie Doobie\u003c\/li\u003e\n\u003cli\u003ePain\u003c\/li\u003e\n\u003cli\u003eBondurant Women\u003c\/li\u003e\n\u003cli\u003eDream Along\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eMy Way\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSuperstition\u003c\/li\u003e\n\u003cli\u003eTX Jelly\u003c\/li\u003e\n\u003cli\u003ePretty Flowers\u003c\/li\u003e\n\u003cli\u003eShakin’ All Over\u003c\/li\u003e\n\u003cli\u003eTrading Paint\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":13285369774103,"sku":"NW5213STP","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/k53oEMJs.jpg?v=1574625370"},{"product_id":"the-texas-gentlemen-tx-jelly-test-pressing","title":"The Texas Gentlemen - TX Jelly [Test Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g vinyl test pressing\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Lone Star-bred collective, The Texas Gentlemen, takes its cues from some of the iconic acts of the past — the quicksilver brilliance of The Wrecking Crew and Bob Dylan’s one-time backers The Band are the most obvious examples. Founding member, Beau Bedford, who shares chief engineering and production responsibilities at Dallas’ Modern Electric Sound Recorders, assembled The Texas Gentlemen as an all-purpose backing band for an eclectic array of singer-songwriters, including Leon Bridges, Nikki Lane, Jonathan Tyler and Paul Cauthen.\u003c\/p\u003e\n\u003cp\u003eThat deft fusion of what came before with what is right now develops through the members’ unswerving dedication to simply play to the best of their abilities, trusting their instincts, and letting the music guide them. Case in point: \u003cem\u003eTX Jelly\u003c\/em\u003e was created in less than a week — four days, start to finish — at Muscle Shoals’ singular FAME Studios.\u003c\/p\u003e\n\u003cp\u003ePared down from the 28 songs the Gentlemen recorded in that 96-hour span, \u003cem\u003eTX Jelly\u003c\/em\u003e effortlessly connects way back to what’s next, summoning the spirits of American songcraft even as it heralds the arrival of 21st century talent. Cut live, with little use for the blinding polish and careful presentation of so much modern music, \u003cem\u003eTX Jelly\u003c\/em\u003e oozes with skill backed up by that hard-won authenticity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTX Jelly\u003c\/em\u003e moves between contemplative and raucous, encompassing the full breadth of the American experience. The music touches on blues, soul, folk, country, rock and gospel — from first track to last, you can feel The Texas Gentlemen reaching deep inside themselves and finding what’s genuine — what illuminates the truth of the country’s rich, complicated and singular artistic history — and delivering it the only way they know how: real, raw and righteous.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1092972941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/thetexasgentlemen.bandcamp.com\/album\/tx-jelly\"\u003eTX Jelly by The Texas Gentlemen\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHabbie Doobie\u003c\/li\u003e\n\u003cli\u003ePain\u003c\/li\u003e\n\u003cli\u003eBondurant Women\u003c\/li\u003e\n\u003cli\u003eDream Along\u003c\/li\u003e\n\u003cli\u003eGone\u003c\/li\u003e\n\u003cli\u003eMy Way\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSuperstition\u003c\/li\u003e\n\u003cli\u003eTX Jelly\u003c\/li\u003e\n\u003cli\u003ePretty Flowers\u003c\/li\u003e\n\u003cli\u003eShakin’ All Over\u003c\/li\u003e\n\u003cli\u003eTrading Paint\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":13329634557975,"sku":"NW5213 TP","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/2sT-KIvc_c6e4926a-cafa-41ec-9903-7d2824f08fd0.jpg?v=1574625388"},{"product_id":"rodney-crowell-christmas-everywhere-test-pressing","title":"Rodney Crowell - Christmas Everywhere [Test Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g test pressing\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMy childhood memories of Christmas aren’t warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn’t give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year’s bounty. Which \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eis\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eto say that Christmas in our household was mostly a wait-and-see proposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA few years back\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e it became evident to my family, and indeed myself, that I’d gone sour on all things related to Christmas. Sometime around Christmas 2016 I came home to find my granddaughters, sitting side by side and playing on the our old upright piano a melody that to my ear sounded like something from the early nineteenth century. I asked them what song they were playing and in unison they replied, “something we just made up.” I hit record on my iPhone and asked them to play it again. Using their melody almost entirely, I spent a couple of months composing the words to “Come Christmas.” A generation had passed since I first made up a Christmas song with their mother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSometime later, in rapid succession, I came up with “Christmas in New York,” “When the Fat Guy Tries the Chimney On For Size,” “Christmas For the Blues” and, again with Mary Karr, “Let’s Skip Christmas This Year.”  With those tunes in the bag, I began entertaining the rather vague idea of writing something that Spike Jones might have recorded in his heyday. The lyrical ideas for “Christmas Everywhere,” came fast, as did the realization that if I were ever going to realize the song’s compositional possibilities, I would need help from the premier Gypsy Jazz guitarist and composer, John Jorgenson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album \u003c\/span\u003e\u003cb\u003e\u003ci\u003eChristmas Everywhere\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eranks as some of the most enjoyable recording sessions I’ve ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, \"The Night Before Christmas,\" I came up with a short piece called “Clement’s Lament (We’ll See You in The Mall)”. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning’s orchestral backing and the album was pronounced complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons Cheer,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRodney Crowell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClement’s Lament (We’ll See You In The Mall)\u003c\/li\u003e\n\u003cli\u003eChristmas Everywhere (feat. Lera Lynn)\u003c\/li\u003e\n\u003cli\u003eWhen The Fat Guy Tries The Chimney On For Size\u003c\/li\u003e\n\u003cli\u003eChristmas Makes Me Sad\u003c\/li\u003e\n\u003cli\u003eMerry Christmas From An Empty Bed (feat. Brennen Leigh)\u003c\/li\u003e\n\u003cli\u003eVery Merry Christmas\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eChristmas in Vidor (feat. Mary Karr)\u003c\/li\u003e\n\u003cli\u003eChristmas for the Blues\u003c\/li\u003e\n\u003cli\u003eCome Christmas\u003c\/li\u003e\n\u003cli\u003eLet's Skip Christmas This Year\u003c\/li\u003e\n\u003cli\u003eChristmas In New York\u003c\/li\u003e\n\u003cli\u003eAll For Little Girls \u0026amp; Boys (feat. Daddy Cool \u0026amp; The Yule)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":13329717985303,"sku":"NW5282 TP","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/2sT-KIvc_8837f4f1-9904-4962-a98f-2fe7e3e7d445.jpg?v=1574625403"},{"product_id":"rodney-crowell-close-ties-test-pressing","title":"Rodney Crowell - Close Ties [Test Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g black vinyl test pressing\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP\u003c\/li\u003e\n\u003cli\u003eIncludes digital download code\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRodney Crowell’s new album, \u003cem\u003eClose Ties\u003c\/em\u003e, demonstrates his strengths as a songwriter and illustrates how he has learned to balance personal recollection, literary sophistication, and his profound musical reach. \u003cem\u003eClose Ties\u003c\/em\u003e is at once his most intimate record and his most accessible, the product of years of understanding the ways songs can enter – and be entered by – life. “It’s a loose concept album, you could say,” Crowell says. “And the concept is related to how you tell stories about yourself. Having a few years ago written a memoir, my sensibilities toward narrative – especially trying to find a common thread in different pieces of writing – had become a part of my songwriting process.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClose Ties\u003c\/em\u003e is a roots record, in the sense that Crowell himself has deep roots that stretch back into the alternative country scene of the early seventies. The rise of Americana music has struck a nerve with Crowell. “I have declared my loyalty to Americana. It’s a hard category for people to get their heads around, or at least the terminology is. But all the people who represent it – Townes van Zandt, Guy Clark, Lucinda Williams, Steve Earle and more recent stars like John Paul White and Jason Isbell – share a common thread, and that thread is poetry. Whether they are actual poets or their music exemplifies a poetic sensibility, generally speaking, the Americana artist shuns commercial compromise in favor of a singular vision. Which resonates with me.” There is also a powerful undercurrent of the blues running through the record. “Recently, I think – I hope – that my study of the blues is starting to show up in my music. Those artists, whether it’s Lightnin’ Hopkins or John Lee Hooker or the acoustic Delta players, connected to something fundamental. With that in mind, I’m trying to move forward but also get back there.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A -\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast Houston Blues\u003c\/li\u003e\n\u003cli\u003eReckless\u003c\/li\u003e\n\u003cli\u003eLife Without Susanna\u003c\/li\u003e\n\u003cli\u003eIt Ain’t Over Yet (feat. Rosanne Cash \u0026amp; John Paul White)\u003c\/li\u003e\n\u003cli\u003eI Don’t Care Anymore\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B -\u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eI’m Tied To Ya’ (feat. Sheryl Crow)\u003c\/li\u003e\n\u003cli\u003eForgive Me Annabelle\u003c\/li\u003e\n\u003cli\u003eForty Miles From Nowhere\u003c\/li\u003e\n\u003cli\u003eStorm Warning\u003c\/li\u003e\n\u003cli\u003eNashville 1972\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":31076619059223,"sku":"NW5131 TP","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-CloseTies-Vinyl_f4d12fcc-df9d-45f3-9ba1-2c7232cf5655.jpg?v=1573508674"},{"product_id":"the-texas-gentlemen-floor-it-cd","title":"The Texas Gentlemen - Floor It!!! [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDigiwallet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e16 panel fold-out poster \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePop on \u003c\/span\u003e\u003cb\u003e\u003ci\u003eFloor It!!!\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the new and second full-length effort from the \u003c\/span\u003e\u003cb\u003eTexas Gentlemen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r\u0026amp;b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFloor It!!!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a rich and righteous ride.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVeal Cutlass \u003c\/li\u003e\n\u003cli\u003eBare Maximum \u003c\/li\u003e\n\u003cli\u003eAin't Nothin' New \u003c\/li\u003e\n\u003cli\u003eTrain to Avesta \u003c\/li\u003e\n\u003cli\u003eEasy St. \u003c\/li\u003e\n\u003cli\u003eHard Rd.\u003c\/li\u003e\n\u003cli\u003eDark at the End of the Tunnel \u003c\/li\u003e\n\u003cli\u003eSing me to Sleep\u003c\/li\u003e\n\u003cli\u003eLast Call\u003c\/li\u003e\n\u003cli\u003eShe Won't \u003c\/li\u003e\n\u003cli\u003eCharlie's House \u003c\/li\u003e\n\u003cli\u003eSkyway Streetcar \u003c\/li\u003e\n\u003cli\u003eFloor It!!!\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":31367264534551,"sku":"NW6470 CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/TXG-FI-CD.jpg?v=1588674300"},{"product_id":"the-texas-gentlemen-floor-it-vinyl","title":"The Texas Gentlemen - Floor It!!! [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g black vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 2-LP\u003c\/li\u003e\n\u003cli\u003eGatefold opens to full game board, contains 8 game tokens \u003c\/li\u003e\n\u003cli\u003eIncludes digital download code\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePop on \u003c\/span\u003e\u003cb\u003e\u003ci\u003eFloor It!!!\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the new and second full-length effort from the \u003c\/span\u003e\u003cb\u003eTexas Gentlemen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r\u0026amp;b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFloor It!!!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a rich and righteous ride.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVeal Cutlass \u003c\/li\u003e\n\u003cli\u003eBare Maximum \u003c\/li\u003e\n\u003cli\u003eAin't Nothin' New \u003c\/li\u003e\n\u003cli\u003eTrain to Avesta \u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eEasy St. \u003c\/li\u003e\n\u003cli\u003eHard Rd.\u003c\/li\u003e\n\u003cli\u003eDark at the End of the Tunnel \u003c\/li\u003e\n\u003c\/ol\u003e\nSide C - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eSing me to Sleep\u003c\/li\u003e\n\u003cli\u003eLast Call\u003c\/li\u003e\n\u003cli\u003eShe Won't \u003c\/li\u003e\n\u003c\/ol\u003e\nSide D - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eCharlie's House \u003c\/li\u003e\n\u003cli\u003eSkyway Streetcar \u003c\/li\u003e\n\u003cli\u003eFloor It!!!\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":31368011579415,"sku":"NW5371 LP","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/TXG-FI-Vinyl-Standard-Black.jpg?v=1588674301"},{"product_id":"the-texas-gentlemen-floor-it-stash-bag","title":"The Texas Gentlemen - Floor It!!! Stash Bag","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eStash Bag - \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncludes die, Habsbro rolling papers, metal keychain bottle opener, and \u003cem\u003eFloor It!!!\u003c\/em\u003e patch\u003c\/li\u003e\n\u003cli\u003eAll housed in embroidered velvet dice bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cblockquote\u003e\n\u003ch3\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo game of \u003cem\u003eFloor It!!!\u003c\/em\u003e is complete without the Texas Gents-approved stash bag!\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePop on \u003c\/span\u003e\u003cb\u003e\u003ci\u003eFloor It!!!\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, the new and second full-length effort from the \u003c\/span\u003e\u003cb\u003eTexas Gentlemen\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and prepare your eardrums to be hit with everything from woozy, brass-fueled Dixieland-style jazz (“Veal Cutlass”), to slinky, chicken-scratch country funk (“Bare Maximum”) to lushly orchestrated pop-soul balladry (“Ain’t Nothin’ New”)—and that’s all in just the first 10 minutes of play time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy (the lilting “Sing Me to Sleep”), spacey (“Skyway Streetcar”) and occasionally progressive (“Dark at the End of the Tunnel”) element to what they do that seems to detach the music from belonging to any particular place and time. Add in elements of funk, soul, country, r\u0026amp;b, southern rock, gospel and essentially any other style that catches their musically omnivorous ears; an expansive and detailed approach to arrangement that sees the songs adorned with all manner of horns, strings and heavenly background vocals (“Hard Road”) and you have a collection of tunes that is more than just a mere album. Rather, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eFloor It!!!\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a rich and righteous ride.\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":31368340045847,"sku":"NWM0120","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/HmQPv7-Q_8cc709c2-36a8-4b3f-a196-5e66d4dd5e16.jpg?v=1588674313"},{"product_id":"the-wild-feathers-alvarado-cd","title":"The Wild Feathers - Alvarado [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDigiwallet\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn December of 2020, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Wild Feathers\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from \u003cstrong\u003e\u003cem\u003eAlvarado\u003c\/em\u003e\u003c\/strong\u003e met for the very first time. In the past, the band typically liked to collect all the tunes they've written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlvarado\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics we could find. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Alvarado\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ain’t Lookin’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Over the Edge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Side Street Shakedown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Out on the Road \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Get Out of My Own Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Off Your Shoulders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Long Shot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Top of the World\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Flashback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Midway Motel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Another Sunny Day\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40247747182784,"sku":"NW6521 CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/O_K3juCQ.jpg?v=1626227067"},{"product_id":"the-wild-feathers-alvarado-vinyl","title":"The Wild Feathers - Alvarado [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e140g black vinyl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e12\", 1-LP\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn December of 2020, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Wild Feathers\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from \u003cstrong\u003e\u003cem\u003eAlvarado\u003c\/em\u003e\u003c\/strong\u003e met for the very first time. In the past, the band typically liked to collect all the tunes they've written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlvarado\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics we could find. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Alvarado\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ain’t Lookin’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Over the Edge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Side Street Shakedown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Out on the Road \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Get Out of My Own Way\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Off Your Shoulders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Long Shot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Top of the World\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Flashback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Midway Motel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Another Sunny Day\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40247768744128,"sku":"NW5580 LP","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/56niU4eQ.jpg?v=1626227714"},{"product_id":"the-wild-feathers-alvarado-new-west-exclusive-colored-vinyl","title":"The Wild Feathers - Alvarado [New West Exclusive Color Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e140g opaque orange and black A-Side\/B-Side colored vinyl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e12\", 1-LP\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn December of 2020, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Wild Feathers\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from \u003cstrong\u003e\u003cem\u003eAlvarado\u003c\/em\u003e\u003c\/strong\u003e met for the very first time. In the past, the band typically liked to collect all the tunes they've written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlvarado\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics we could find. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Alvarado\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ain’t Lookin’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Over the Edge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Side Street Shakedown\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Out on the Road \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Get Out of My Own Way\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Off Your Shoulders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Long Shot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Top of the World\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Flashback\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Midway Motel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Another Sunny Day\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40247784865984,"sku":"NW5596 LP","price":17.02,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/4Pf2Qfdg.jpg?v=1626273841"},{"product_id":"rodney-crowell-christmas-everywhere-color-vinyl","title":"Rodney Crowell - Christmas Everywhere [Color Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g green and red marble color vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMy childhood memories of Christmas aren’t warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn’t give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year’s bounty. Which \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eis\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eto say that Christmas in our household was mostly a wait-and-see proposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA few years back\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e it became evident to my family, and indeed myself, that I’d gone sour on all things related to Christmas. Sometime around Christmas 2016 I came home to find my granddaughters, sitting side by side and playing on the our old upright piano a melody that to my ear sounded like something from the early nineteenth century. I asked them what song they were playing and in unison they replied, “something we just made up.” I hit record on my iPhone and asked them to play it again. Using their melody almost entirely, I spent a couple of months composing the words to “Come Christmas.” A generation had passed since I first made up a Christmas song with their mother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSometime later, in rapid succession, I came up with “Christmas in New York,” “When the Fat Guy Tries the Chimney On For Size,” “Christmas For the Blues” and, again with Mary Karr, “Let’s Skip Christmas This Year.”  With those tunes in the bag, I began entertaining the rather vague idea of writing something that Spike Jones might have recorded in his heyday. The lyrical ideas for “Christmas Everywhere,” came fast, as did the realization that if I were ever going to realize the song’s compositional possibilities, I would need help from the premier Gypsy Jazz guitarist and composer, John Jorgenson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album \u003c\/span\u003e\u003cb\u003e\u003ci\u003eChristmas Everywhere\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eranks as some of the most enjoyable recording sessions I’ve ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, \"The Night Before Christmas,\" I came up with a short piece called “Clement’s Lament (We’ll See You in The Mall)”. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning’s orchestral backing and the album was pronounced complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons Cheer,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRodney Crowell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClement’s Lament (We’ll See You In The Mall)\u003c\/li\u003e\n\u003cli\u003eChristmas Everywhere (feat. Lera Lynn)\u003c\/li\u003e\n\u003cli\u003eWhen The Fat Guy Tries The Chimney On For Size\u003c\/li\u003e\n\u003cli\u003eChristmas Makes Me Sad\u003c\/li\u003e\n\u003cli\u003eMerry Christmas From An Empty Bed (feat. Brennen Leigh)\u003c\/li\u003e\n\u003cli\u003eVery Merry Christmas\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eChristmas in Vidor (feat. Mary Karr)\u003c\/li\u003e\n\u003cli\u003eChristmas for the Blues\u003c\/li\u003e\n\u003cli\u003eCome Christmas\u003c\/li\u003e\n\u003cli\u003eLet's Skip Christmas This Year\u003c\/li\u003e\n\u003cli\u003eChristmas In New York\u003c\/li\u003e\n\u003cli\u003eAll For Little Girls \u0026amp; Boys (feat. Daddy Cool \u0026amp; The Yule)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":40447794282688,"sku":"NW5283 LP","price":17.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/vP6jeVrM.jpg?v=1668790175"},{"product_id":"the-wild-feathers-medium-rarities-signed-deluxe-color-vinyl","title":"The Wild Feathers - Medium Rarities [SIGNED Deluxe Color Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g Medium Rare Meat color vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP, gatefold\u003c\/li\u003e\n\u003cli\u003eFoil Stamped and Numbered 0001-2000\u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eMedium Rarities\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a full-length album of unreleased material spanning \u003c\/span\u003e\u003cb\u003eThe Wild Feathers'\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e decade-long career. The album is composed of B-sides, covers, demos, and other gems that the band culled from The Wild Feathers’ vault. This limited deluxe edition pressing features a foil-stamped and numbered jacket that is also autographed by the band. The vinyl is pressed onto a “medium rare meat” color LP. This LP is limited to 2000 units and will only be pressed once. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSide A - \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eBlue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eHeartbreak\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMarie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlmost Cut My Hair\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eFire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eGoodnight\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSide B - \u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eMy Truth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eTo Be Gone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eLose Yourself \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eGuitar Man\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter The Bottle’s Gone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43243762319552,"sku":"NW5687 SLP","price":20.72,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/TWF-MR-vinyl-signed.jpg?v=1666299148"},{"product_id":"sunny-war-anarchist-gospel-cd","title":"Sunny War - Anarchist Gospel [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I feel like there are two sides of me,” says the Nashville-based singer-songwriter and guitar virtuoso known as\u003c\/span\u003e\u003cb\u003e Sunny War\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. “One of them is very self-destructive, and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her fourth album, the eclectic and innovative \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, which documents a time when it looked like the self-destructive side might win out. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtreme emotions can make that battle all the more perilous, yet from such trials Sunny has crafted a set of songs that draw on a range of ideas and styles, as though she’s marshaling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant garde studio experiments. She melds them together into a powerful statement of survival, revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBecause it promises not healing but resilience and perseverance, because it doesn’t take shit for granted, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e holds up under such intense emotional pressure, acknowledging the pain of living while searching for something that lies just beyond ourselves, some sense of balance between the bad and the good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLove's Death Bed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo Reason\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelter And Storm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Got No Fight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwear To Gawd\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBaby Bitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHis Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHopeless\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTest Dummy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSweet Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhole\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43253713469632,"sku":"NW6532 CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/OwVLRLD0.jpg?v=1666742816"},{"product_id":"sunny-war-anarchist-gospel-signed-cd","title":"Sunny War - Anarchist Gospel [SIGNED CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet\u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I feel like there are two sides of me,” says the Nashville-based singer-songwriter and guitar virtuoso known as\u003c\/span\u003e\u003cb\u003e Sunny War\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. “One of them is very self-destructive, and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her fourth album, the eclectic and innovative \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, which documents a time when it looked like the self-destructive side might win out. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtreme emotions can make that battle all the more perilous, yet from such trials Sunny has crafted a set of songs that draw on a range of ideas and styles, as though she’s marshaling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant garde studio experiments. She melds them together into a powerful statement of survival, revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBecause it promises not healing but resilience and perseverance, because it doesn’t take shit for granted, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e holds up under such intense emotional pressure, acknowledging the pain of living while searching for something that lies just beyond ourselves, some sense of balance between the bad and the good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLove's Death Bed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo Reason\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelter And Storm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Got No Fight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwear To Gawd\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBaby Bitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHis Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHopeless\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTest Dummy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSweet Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhole\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43253716091072,"sku":"NW6532 SCD","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/wvj1qYuU.jpg?v=1666742912"},{"product_id":"sunny-war-anarchist-gospel-vinyl","title":"Sunny War - Anarchist Gospel [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g black vinyl\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP, gatefold\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I feel like there are two sides of me,” says the Nashville-based singer-songwriter and guitar virtuoso known as\u003c\/span\u003e\u003cb\u003e Sunny War\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. “One of them is very self-destructive, and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her fourth album, the eclectic and innovative \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, which documents a time when it looked like the self-destructive side might win out. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtreme emotions can make that battle all the more perilous, yet from such trials Sunny has crafted a set of songs that draw on a range of ideas and styles, as though she’s marshaling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant garde studio experiments. She melds them together into a powerful statement of survival, revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBecause it promises not healing but resilience and perseverance, because it doesn’t take shit for granted, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e holds up under such intense emotional pressure, acknowledging the pain of living while searching for something that lies just beyond ourselves, some sense of balance between the bad and the good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLove's Death Bed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo Reason\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelter And Storm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Got No Fight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwear To Gawd\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBaby Bitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eHis Love\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhole\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B - \u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHopeless\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTest Dummy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSweet Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43253719564480,"sku":"NW5702 LP","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/c6PIQeog.jpg?v=1666743200"},{"product_id":"rodney-crowell-christmas-everywhere-limited-edition-color-vinyl","title":"Rodney Crowell - Christmas Everywhere [Limited Edition Color Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g Evergreen color vinyl\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMy childhood memories of Christmas aren’t warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn’t give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year’s bounty. Which \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eis\u003c\/span\u003e\u003c\/i\u003e \u003cspan style=\"font-weight: 400;\"\u003eto say that Christmas in our household was mostly a wait-and-see proposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA few years back\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e,\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e it became evident to my family, and indeed myself, that I’d gone sour on all things related to Christmas. Sometime around Christmas 2016 I came home to find my granddaughters, sitting side by side and playing on the our old upright piano a melody that to my ear sounded like something from the early nineteenth century. I asked them what song they were playing and in unison they replied, “something we just made up.” I hit record on my iPhone and asked them to play it again. Using their melody almost entirely, I spent a couple of months composing the words to “Come Christmas.” A generation had passed since I first made up a Christmas song with their mother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSometime later, in rapid succession, I came up with “Christmas in New York,” “When the Fat Guy Tries the Chimney On For Size,” “Christmas For the Blues” and, again with Mary Karr, “Let’s Skip Christmas This Year.”  With those tunes in the bag, I began entertaining the rather vague idea of writing something that Spike Jones might have recorded in his heyday. The lyrical ideas for “Christmas Everywhere,” came fast, as did the realization that if I were ever going to realize the song’s compositional possibilities, I would need help from the premier Gypsy Jazz guitarist and composer, John Jorgenson.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eI\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album \u003c\/span\u003e\u003cb\u003e\u003ci\u003eChristmas Everywhere\u003c\/i\u003e\u003c\/b\u003e \u003cspan style=\"font-weight: 400;\"\u003eranks as some of the most enjoyable recording sessions I’ve ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, \"The Night Before Christmas,\" I came up with a short piece called “Clement’s Lament (We’ll See You in The Mall)”. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning’s orchestral backing and the album was pronounced complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeasons Cheer,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRodney Crowell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClement’s Lament (We’ll See You In The Mall)\u003c\/li\u003e\n\u003cli\u003eChristmas Everywhere (feat. Lera Lynn)\u003c\/li\u003e\n\u003cli\u003eWhen The Fat Guy Tries The Chimney On For Size\u003c\/li\u003e\n\u003cli\u003eChristmas Makes Me Sad\u003c\/li\u003e\n\u003cli\u003eMerry Christmas From An Empty Bed (feat. Brennen Leigh)\u003c\/li\u003e\n\u003cli\u003eVery Merry Christmas\u003c\/li\u003e\n\u003c\/ol\u003e\nSide B - \u003cbr\u003e\n\u003col\u003e\n\u003cli\u003eChristmas in Vidor (feat. Mary Karr)\u003c\/li\u003e\n\u003cli\u003eChristmas for the Blues\u003c\/li\u003e\n\u003cli\u003eCome Christmas\u003c\/li\u003e\n\u003cli\u003eLet's Skip Christmas This Year\u003c\/li\u003e\n\u003cli\u003eChristmas In New York\u003c\/li\u003e\n\u003cli\u003eAll For Little Girls \u0026amp; Boys (feat. Daddy Cool \u0026amp; The Yule)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43258750140608,"sku":"NW5680 LP","price":17.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RodneyCrowell-ChristmasEverywhere.png?v=1669133830"},{"product_id":"rodney-crowell-the-chicago-sessions-cd","title":"Rodney Crowell - The Chicago Sessions [CD]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTake a look at the cover of \u003c\/span\u003e\u003cb\u003eRodney Crowell’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e brilliant new album, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Chicago Sessions\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and you might recognize a familiar callback to the legendary songwriter’s 1978 debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“In a lot of ways, this album feels like that very first record to me,” Crowell reflects. “When my daughter Chelsea suggested we lay the artwork out similarly, the connection made perfect sense. There’s something very simple, very innocent about it. It’s just me and the band in a room together, loose and live and having fun.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced by \u003c\/span\u003e\u003cb\u003eWilco’s Jeff Tweedy,\u003c\/b\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Chicago Sessions\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is indeed a throwback to Crowell’s early days of making records, but it’s no nostalgia trip. The songs here are vital and timely, touching on everything from love and mortality to race and religion, and the performances are nothing short of intoxicating, fueled by raw guitars, honky-tonk piano, and tight, punchy drums. Tweedy wields a light touch as a producer, his influence subtle yet unmistakable, and engineer Tom Schick’s mixes are dynamic and alive, alternately lush and spacious in all the right places with a spotlight fixed firmly on Crowell’s warm, weathered vocals throughout. Put it all together and you’ve got a masterful, cross-generational collaboration that manages to feel both fresh and familiar all at once, an incisive, engaging collection that balances careful craftsmanship with joyful liberation at every turn.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Lucky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Somebody Loves You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Loving You Is The Only Way To Fly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e You’re Supposed To Be Feeling Good\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e No Place To Fall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Oh Miss Claudia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e Everything At Once \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(feat. Jeff Tweedy)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ever The Dark\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Making Lovers Out Of Friends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ready To Move On\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43500687950016,"sku":"NW6546 CD","price":11.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-TCS-CD.jpg?v=1677732310"},{"product_id":"rodney-crowell-the-chicago-sessions-signed-cd","title":"Rodney Crowell - The Chicago Sessions [SIGNED CD]","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cem\u003eMissed out on this variant? Enroll in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/store.newwestrecords.com\/products\/new-west-university-class-of-2023\" data-mce-href=\"https:\/\/store.newwestrecords.com\/products\/new-west-university-class-of-2023\"\u003eNew West University\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto ensure you never miss out on any of our Limited Edition New West Exclusives!\u003c\/em\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDigiwallet \u003c\/li\u003e\n\u003cli\u003eSigned\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTake a look at the cover of \u003c\/span\u003e\u003cb\u003eRodney Crowell’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e brilliant new album, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Chicago Sessions\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, and you might recognize a familiar callback to the legendary songwriter’s 1978 debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“In a lot of ways, this album feels like that very first record to me,” Crowell reflects. “When my daughter Chelsea suggested we lay the artwork out similarly, the connection made perfect sense. There’s something very simple, very innocent about it. It’s just me and the band in a room together, loose and live and having fun.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eProduced by \u003c\/span\u003e\u003cb\u003eWilco’s Jeff Tweedy,\u003c\/b\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe Chicago Sessions\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is indeed a throwback to Crowell’s early days of making records, but it’s no nostalgia trip. The songs here are vital and timely, touching on everything from love and mortality to race and religion, and the performances are nothing short of intoxicating, fueled by raw guitars, honky-tonk piano, and tight, punchy drums. Tweedy wields a light touch as a producer, his influence subtle yet unmistakable, and engineer Tom Schick’s mixes are dynamic and alive, alternately lush and spacious in all the right places with a spotlight fixed firmly on Crowell’s warm, weathered vocals throughout. Put it all together and you’ve got a masterful, cross-generational collaboration that manages to feel both fresh and familiar all at once, an incisive, engaging collection that balances careful craftsmanship with joyful liberation at every turn.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Lucky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Somebody Loves You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Loving You Is The Only Way To Fly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e You’re Supposed To Be Feeling Good\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e No Place To Fall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Oh Miss Claudia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Everything At Once \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e(feat. Jeff Tweedy)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Ever The Dark\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Making Lovers Out Of Friends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Ready To Move On\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43500688670912,"sku":"NW6546 SCD","price":14.25,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-TCS-CD-signed.jpg?v=1677732502"},{"product_id":"rodney-crowell-the-chicago-sessions-vinyl","title":"Rodney Crowell - The Chicago Sessions [Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e140g black vinyl\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP, gatefold\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTake a look at the cover of \u003c\/span\u003e\u003cb\u003eRodney Crowell’s\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e brilliant new album, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eThe Chicago Sessions\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and you might recognize a familiar callback to the legendary songwriter’s 1978 debut.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“In a lot of ways, this album feels like that very first record to me,” Crowell reflects. “When my daughter Chelsea suggested we lay the artwork out similarly, the connection made perfect sense. There’s something very simple, very innocent about it. It’s just me and the band in a room together, loose and live and having fun.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eProduced by \u003c\/span\u003e\u003cb\u003eWilco’s Jeff Tweedy,\u003c\/b\u003e \u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Chicago Sessions\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is indeed a throwback to Crowell’s early days of making records, but it’s no nostalgia trip. The songs here are vital and timely, touching on everything from love and mortality to race and religion, and the performances are nothing short of intoxicating, fueled by raw guitars, honky-tonk piano, and tight, punchy drums. Tweedy wields a light touch as a producer, his influence subtle yet unmistakable, and engineer Tom Schick’s mixes are dynamic and alive, alternately lush and spacious in all the right places with a spotlight fixed firmly on Crowell’s warm, weathered vocals throughout. Put it all together and you’ve got a masterful, cross-generational collaboration that manages to feel both fresh and familiar all at once, an incisive, engaging collection that balances careful craftsmanship with joyful liberation at every turn.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Lucky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Somebody Loves You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Loving You Is The Only Way To Fly\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e You’re Supposed To Be Feeling Good\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e No Place To Fall\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B - \u003cbr\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Oh Miss Claudia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e Everything At Once \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(feat. Jeff Tweedy)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ever The Dark\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Making Lovers Out Of Friends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Ready To Move On\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":43500689490112,"sku":"NW5725 LP","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/products\/RC-TCS-Vinyl-standard.jpg?v=1677732817"},{"product_id":"sunny-war-anarchist-gospel-limited-edition-color-vinyl","title":"Sunny War - Anarchist Gospel [Limited Edition Color Vinyl]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e150g Emerald, Purple \u0026amp; Gold Handpour vinyl\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e12\", 1-LP, gatefold\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“I feel like there are two sides of me,” says the Nashville-based singer-songwriter and guitar virtuoso known as\u003c\/span\u003e\u003cb\u003e Sunny War\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e. “One of them is very self-destructive, and the other is trying to work with that other half to keep things balanced.” That’s the central conflict on her fourth album, the eclectic and innovative \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e, which documents a time when it looked like the self-destructive side might win out. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eExtreme emotions can make that battle all the more perilous, yet from such trials Sunny has crafted a set of songs that draw on a range of ideas and styles, as though she’s marshaling all her forces to get her ideas across: ecstatic gospel, dusty country blues, thoughtful folk, rip-roaring rock and roll, even avant garde studio experiments. She melds them together into a powerful statement of survival, revealing a probing songwriter who indulges no comforting platitudes and a highly innovative guitarist who deploys spidery riffs throughout every song. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBecause it promises not healing but resilience and perseverance, because it doesn’t take shit for granted, \u003c\/span\u003e\u003cb\u003e\u003ci\u003eAnarchist Gospel\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e holds up under such intense emotional pressure, acknowledging the pain of living while searching for something that lies just beyond ourselves, some sense of balance between the bad and the good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSide A - \u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLove's Death Bed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNo Reason\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eShelter And Storm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eI Got No Fight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSwear To Gawd\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBaby Bitch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eHis Love\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhole\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSide B - \u003c\/p\u003e\n\u003col\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNew Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eEarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHopeless\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHigher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eTest Dummy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSweet Nothing\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"New West Records","offers":[{"title":"Default Title","offer_id":44062975721664,"sku":"NW5714 LP","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2219\/8343\/files\/SW-AG-BFCM-vinyl.jpg?v=1700177034"},{"product_id":"the-wild-feathers-alvarado-test-pressing","title":"The Wild Feathers - Alvarado [Test Pressing]","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e140g black vinyl test pressing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" mce-data-marked=\"1\" data-mce-style=\"font-weight: 400;\"\u003e12\", 1-LP\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIn December of 2020, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Wild Feathers\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from \u003cstrong\u003e\u003cem\u003eAlvarado\u003c\/em\u003e\u003c\/strong\u003e met for the very first time. In the past, the band typically liked to collect all the tunes they've written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAlvarado\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is the truest representation of The Wild Feathers to date. 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